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MastPosted by John Leech (Grange-over-Sands, United Kingdom) on 10 October 2009 in Landscape & Rural and Portfolio. A change of tack. From here on I'm only going to post images that I really like rather then trying to line up a new image for every day. I'm keen to restrict this to my darker moodier black and whites to keep a consistency to the set as a whole. This means my next post could be anytime between now and the ultimate energy crisis. I'm sure most visitors to my pages will be familiar with Ian Bramham's photography Ian Bramham. I've followed his emerging talent since he first bought a DSLR - not that his talent took long to emerge. I'm sure any viewers who have not seen his work will appreciate this link.
Comments (10)
Ian Bramham from Manchester, United KingdomI love the shapes and contrast in the bottom 3/4. 20 Oct 2009 9:18am Mike from Lichfield, United KingdomI'm not sure how I missed this one but I like all the curves and the high contrast. 22 Oct 2009 11:47am Paul from London, United KingdomI've been enjoying looking through your archive. This one is a very powerful shot. What (if any) post processing did you use? Just curious to expand my knowledge. 4 Nov 2009 11:35am @Paul: Thanks Paul. A lot of my stark images are aggressively processed in photoshop. This particular view is from my bedroom window - I shoot it a lot, especially at this time of year when the low sun renders the scene pretty much in monochrome. The light is often dramatic and some shots have stark contrast without any pp, but on this shot you can see by the way the sky is granulating that I've pushed that area quite hard. My efforts in photoshop use the basic tool set, mainly just the black and white converter and the curves tool, but working on different parts of an image on different layers. Quick masks are used to blend the different areas back together. I'll sometimes use the dodge/burn tools, though rarely, as I prefer the control I can get when working with curves on separate layers. On this shot I may well have used the dodge tool to get some of the channels to be pure white. |
Nikon D300 |